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One-act stage adaptations of famous short stories, novels, and plays. Includes "The Prince and the Pauper," "Nicholas Nickleby," and "Frankenstein."

• Sales Rank: #1685360 in Books
• Published on: 2001-07
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .76" h x 6.06" w x 9.01" l,
• Binding: Paperback
• 266 pages

From School Library Journal
Grade 6-9 From the breezy style of Mark Twain to the formality of Edmond Ros tand, each of these 15 plays has re tained the main plot, characters, and tone of the original. Not only do they provide a good selection for amateur productions, but also they can serve as a classroom introduction or follow-up to these works. Among the plays in cluded are ``Dracula,'' ``The Purloined Letter,'' and ``Oliver Twist.'' Some plays are meant for reading aloud; those intended for acting include suffi cient stage directions and production notes. The updated, uncomplicated dia logue and straightforward action make them accessible to young readers and actors while providing good source ma terial for schools and clubs. Meryl Sil verstein, Meyer Levin Junior High School, Brooklyn
Copyright 1988 Reed Business Information, Inc.

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[K333.Ebook] Get Free Ebook The Recognition of Sakuntala: A Play In Seven Acts (Oxford World's Classics), by Kalidasa

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Kalidasa's play about the love of King Dusyanta for Sakuntala, a monastic girl, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone and in performance, The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, comparable to certain types of mystical experience. The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation includes the famous version of the story from the Mahabharata, a poetic and dramatic text in its own right and a likely source for Kalidasa. The introduction discusses the play in the aesthetic and cultural context of ancient India.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

• Sales Rank: #123408 in Books
• Published on: 2008-07-15
• Original language: English
• Number of items: 1
• Dimensions: 5.00" h x .50" w x 7.50" l, .30 pounds
• Binding: Paperback
• 147 pages

About the Author
W. J. Johnson, Senior Lecturer in Religious Studies, Cardiff University.

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14 of 14 people found the following review helpful.
A Most Beautiful Play
By Samesh Braroo
Kalidasa is India's greatest Sanskrit poet and playwright. Many centuries after his death, his commitment has not flinched to remain India's most respected bard. When you've read world's greatest plays, you must then read this play for the proverbial dessert. For most people, drama was invented in Greece, yet Kalidasa didn't know that, being apart by sea and time. So far as he is concerned, he was as much an inventor of this art, as were his more famous counterparts.
`Recognition of Sakuntala' is a beautiful love story of a married king with a country girl, his deserting her and eventually reclaiming back, with the aid of providence.
I've several translations of this play, but Johnson's version is probably the best - at least in English.
If Shakespeare or Tolstoy or Munshi Premchand gratify you, Kalidasa will as much.

6 of 7 people found the following review helpful.
A hit in Europe around 1789
By Neri
The original translation by Sir William Jones of this famous Indian play was popular accross Europe and read by prominant poets including Goethe and Schiller in the late 1700's. Sir William Jones was also a member of Samuel Johnson and Edmund Burke's politically influentual Literary Club and the translation by him, this is not it, was a small hit across Europe. It inspired some stylist influence upon Goethe and Goethe must have read this about the time of the end of his "Italian Journey" where he later gained some creative energy after a dry spell following the massive success of his "Sorrows of Young Werther". (Sir William Jones is most famous today for observing that the similarities in Latin, Sanskrit, Persian, English and other, now called, Indo-European languages could not be just an accident).

This modern translation by W.J. Johnson is a good effort; however, for a variety of reasons loses something in translation as it was written to be performed in at least two languages, Sanskrit and Prakrit, and also involved a lot of body language which at times was almost like a dance. Sir William Jones' translation is more vibrant and historically relevant, and other translations of his of Oriental translations as well as original poems, had an impact on 17th and 18th century European literature.

Jones was a romantic supporter of the American revolution, even meeting with Benjamin Franklin in Paris to attempt a resolution to the crisis and play Franklin a game of chess. Jones' most famous and widely popular poem, while he was alive, was "Caissa, or, The Game of Chess" which would have gotten Jones through many important doors and meetings.

The play "Sakuntala" was written in the 4th or 5th century CE in India and is considered one of India's great plays. It is interesting for the cultural attitudes of India at that time, especially the strong class system, and making comparisons with other cultures around the world. Never-the-less The play still holds its own in translation as something many readers might find poetically brilliant, entertaining, and also funny.

Byron was also a youthful reader of Jones and there are a lot of stylistic similarities between them. Byron even wrote a parady of some of Jones' poems in his youth.

Jones spent his later life, in India, assisting in setting up a legal system for India which Jones insisted should be based in large part on Indian culture and customs. Jones represents a more early liberal, respecting relationship with the colonies of India; not the heavy-handed British paternal one that was to dominate that relationship after Jones' death.

Goethe[[ASIN:0140442332 Italian Journey: 1786-1788 (Penguin Classics)

The Life of Samuel Johnson (Penguin Classics)

Sir William Jones: Selected poetical and prose works - University of Wales Press (Not carried by Amazon)
[...]

(When universities teach diversity they should also teach it from the perspective of history; my professors acted like the 60's generation discovered multiculturialism and cultural appreciation. Why wouldn't a society that appriciates other culturals know the name of Sir William Jones? To me it points at some decrepidy that we don't).

0 of 0 people found the following review helpful.
Youth pushes up through all her limbs
By HH
W. J. Johnson's introductory essay is thorough and informative, pitched at the general reader but never condescending. It begins with a brief outline of what is known of Kalidasa’s life and an assessment of the place of Sakuntala in the canon of world drama. A succinct and illuminating outline of the plot and structure of the play follows. The Recognition of Sakuntala tells the story of the love between King Dusyanta and the beautiful Sakuntala, who lives in the woodland hermitage of her foster father, a devout ascetic called Kanva. Sakuntala and Dusyanta contract a secret “love match” after which the King returns to his court leaving her his ring as a keepsake. Shortly afterward, distracted by thoughts of her lover, Sakuntala neglects her duties of hospitality and becomes the unknowing victim of a curse: her beloved will forget her until she produces some token of recognition. When she subsequently appears at Dusyanta’s court visibly pregnant, she is rejected unrecognised. Even worse, when she tries to produce the ring to prove her story, she discovers that it was lost in her journey. After her public humiliation, Sakuntala vanishes into a heavenly beam of light (provided by her mother, the nymph Menaka). When the missing ring is later found in the belly of a fish, Dusyanta remembers his lost love and is plunged into despair and remorse. He is eventually called into service by Indra, king of the gods, to battle a gang of troublesome demons. On his way home, Dusyanta visits a celestial hermitage where he is fortuitously reunited with Sakuntala and meets his young son—destined to be Bharata, a “world emperor.” Johnson’s summary provides a useful orientation to the world of the play and its style. In a further discussion of the play’s plot and structure, he demonstrates the ways in which six of the seven acts of the play mirror one another with the central fourth act serving as a transition.

Johnson's introduction continues with a discussion of the workings of Sanskrit aesthetic theory (as outlined in the Natyasastra) related to the play and the system of ethics that underpins its action. Here, Johnson addresses important issues of language giving an insightful overview of the cultural and political context reflected in the use of Sanskrit (the classical written language) and Prakrit (common spoken dialects) to delineate different characters and incidents in the play. He also alerts the reader to the gestural language of theatrical performance by means of which this ancient play is still comprehensible to modern audiences. Here he includes a helpful discussion of the levels of language employed in the text, explaining which characters speak what—verse, prose, Sanskrit, or Prakrit—and why. In the course of this he also illustrates how the works of Kalidasa came to be the preserve of Sanskrit scholars rather than remaining popular dramas. All of this serves to explain the reasons why an English translation, however skilled, is unable to effectively communicate the “verbal polyphony” of the original text. It is most useful to approach the play with this understanding. He goes on to provide detailed information on the verse and prose structures of the original and how the assignment of verse speaking reflects the aesthetic of the piece in terms of the rasas (aesthetic “flavors” or “sensations”) revealed and communicated by the play. Where the discussion threatens to become too complex for the non-specialist, the reader is helpfully directed to Johnson’s “Selected Bibliography” for sources of further study.

Again addressing the play as a piece of theater, a section on “Staging and Stage Conventions” explains the four types of representation in conventional Sanskrit drama: spoken word, gesture, costume, and emotion. These elements work together to create a uniquely performative dramatic language that transcends the written word. Johnson describes this as “’spectacle poetry’ as opposed to verbal poetry” (p. xxv). For those unfamiliar with the Indian Kuttiyattam theater tradition, this communicates some idea of the complex meta-text of performance that is a fundamental element of traditional Sanskrit theater.

Johnson intends this version of the play to be performable and says that he seeks to “liberate” the text through this translation. Does he succeed? On balance, I would say that he does. The text is accessible and is helped with excellent notes throughout. The obvious alternation between verse and prose gives some flavor of the complexity of the original without obscuring the drama. The action moves along at a brisk pace and the occasional textual notes are useful without being intrusive. It is a splendid story, beautifully told. The serious scholar might wish for more information -- e.g., to clarify certain elements of ritual -- but Johnson’s notes helpfully direct the reader to more specialist materials.

Following the play, Johnson includes the Sakuntala story from the Mahabharata in his own, lucid translation. It has been usefully condensed to provide only essential information, yet retains a sense of poetry and it is rendered, like the original, in un-rhymed verse. Shakuntala’s drama is just as compelling in the Mahabharata, but appears to be more focused on teaching ethical lessons than on exciting rasa. In this version Dusayanta does recognize Sakuntala when she appears at his court, but refuses to acknowledge her. This allows Sakuntala to offer some important lessons on the power of conscience, and the ritual, spiritual and daily necessity of wives and children (especially sons) for all men. One can see the source of much of the specific action in Kalidasa’s play in the Mahabharata, but Dusayanta’s abuse of Sakuntala seems brutal and unrelenting -- really quite shocking. When a “divine voice” demands Dusayanta’s recognition of his spurned wife, he as able to acknowledge her without engendering popular doubt and suspicion. It is clear that the epic addresses itself to moral lessons and political realities, most particularly the necessity for a king (and his successors) to be seen as legitimate. The play, on the other hand, is a great love story.

This handy and inexpensive edition will be a valuable text for students of Asian Studies, World Literature, or Drama.

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• Sales Rank: #3436612 in Books
• Brand: Silver Age Sentinels
• Published on: 2002-11-16
• Original language: English
• Number of items: 1
• Dimensions: .19" h x 11.18" w x 7.40" l, 1.00 pounds
• Binding: Paperback
• 32 pages

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• Sales Rank: #323089 in Books
• Published on: 2014-12-01
• Released on: 2014-11-29
• Original language: English
• Number of items: 1
• Dimensions: 9.53" h x .60" w x 6.69" l, .0 pounds
• Binding: Paperback
• 264 pages

Review
This comprehensive and detailed book will hearten the many�social scientists who tangle with unsympathetic regulatory systems. Mark Israel demonstrates an uncanny knowledge about the variety of national ethics regimes that are destabilizing the social sciences. The author�explores the possibility of moving the hard architecture of research-review to a�soft architectural one.�In the end, the book calls for a creative and intelligent approach to ethics and integrity in research.
(Will C.van den Hoonaard)

Research ethics is a particularly fluid field of endeavour in the social sciences. As the forms of social interaction develop via new media and societies undergo constant change, responsive methodological innovation follows. The ethical challenges posed raise more dilemmas and regulatory responses. Mark Israel’s update of his earlier book covers this rapidly evolving field in a rigorous, readable and comprehensive manner. The global perspective adopted is of practical benefit to increasingly international and multidisciplinary research teams. The extensive case studies reported both enliven and challenge our moral sensibilities in constructive and thoughtful ways. This work continues to offer valuable insights into the increasingly complex ethical decisions addressed by social scientists.

(Ron Iphofen)

Mark Israel’s masterly account and critical analysis of the global, national and conceptual histories of research ethics explains the contemporary frictions between research ethics regimes and social science researchers.

Through authoritative examples of realistic practice that address ethical complexities of consent, confidentiality, risk, benefit and conflicts of interest, he shows how to address and resolve these frictions.

The book offers a rich collection of experience to inform reflective ethical research practice and essential insights for ethics reviewers of social science research.

(Colin Thomson)

This book explains and compares the regulation on research ethics in many different countries. Israel conducted a deep analysis on the roots of these regulations as well as the consequences for social scientists. It puts the key issues into a historical, philosophical and empirical research context. This discussion is fundamental to better understand the contemporary situation and to plan actions to promote ethical research, respecting different academic communities, as well as promoting and protecting the human rights and the fundamental liberties of research participants. I strongly recommend it for everyone interested in this subject and specially for Research Ethics Committees members, chairs, administrators; policy makers; and for social science and humanities researchers.

(Iara Guerriero)

In this book Professor Israel presents an absorbing critical account of the development of national and, increasingly, global research ethics and regulatory systems. The many case studies included within the text bring to life the dilemmas researchers have faced in a way that provides the reader with much food for thought.
The reviewer thoroughly enjoyed reading this book. Professor Israel brings clarity of thought to what can be a very obtuse and confusing area, albeit one of vital importance for the future development of research. I can fully recommend it both the seasoned researcher and to those beginning in the field who require a sound and readable introduction to research ethics in the social sciences. (Clive Sims, University Campus Suffolk)

About the Author

Mark Israel is Winthrop Professor of Law and Criminology in the Faculty of Law at the University of Western Australia. He has a degree in law and postgraduate qualifications in sociology, criminology and education. He has published on research ethics and integrity, higher education and research policy, political exile and migration, criminology and socio-legal studies. His books include South African Political Exile in the United Kingdom (Palgrave Macmillan, 1999), Crime and Justice (Thomson Reuters, 2006 eds with Goldsmith and Daly), and Research Ethics for Social Scientists: Between Ethical Conduct and Regulatory Compliance (Sage, 2006 with Hay).

He has won teaching and research prizes in Australia, the United Kingdom and the United States, including the Prime Minister’s Award for Australian University Teacher of the Year in 2004. Mark has undertaken consultancy for, among others, the National Health and Medical Research Council, the Commonwealth Scientific and Industrial Research Organisation, Federal and State governments in Australia, as well as the European Research Council, and a range of higher education institutions and professional associations in Australia, Hong Kong, New Zealand and the United Kingdom.�

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First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

• Sales Rank: #7567153 in Books
• Brand: Brand: Taylor Francis
• Published on: 1992-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.50" w x .75" l, .0 pounds
• Binding: Hardcover
• 252 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Asks Important Question over a Range of Themes
By Joanna Poppink
This is an excellent resource in exploring the development of bulimia. The author looks at theory and empirical research through his own contributions and the contributions of other scholars in the field.

Much of the chapter articles stem from the 1990 Ken Psychology Forum.

The chapters range over many developmental factors and consider questions and possibilities in terms of developing bulimia. It's a book that is useful for professionals in the field and as a text book for graduate students.

I particularly appreciated looking at the questions asked and the range of possibilities to think about in terms of approaching answers.

Joanna Poppink, MFT
Los Angeles private practice psychotherapist
author: Healing Your Hungry Heart: recovering from your eating disorder

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• Sales Rank: #638618 in eBooks
• Published on: 2015-05-10
• Released on: 2015-05-10
• Format: Kindle eBook

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Tense, suspenseful and absolutely delicious
By Shannon
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By kbugsteetee
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Even better than the first book
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• Sales Rank: #1175934 in Books
• Brand: Brand: Rocky Nook
• Published on: 2008-10-15
• Original language: English, German
• Number of items: 1
• Dimensions: 9.20" h x 1.17" w x 7.38" l, 1.77 pounds
• Binding: Paperback
• 486 pages

Features

• Used Book in Good Condition

About the Author

With a quarter-century of software and systems engineering experience, Rex Black is President of RBCS (www.rbcs-us.com), a leader in software, hardware, and systems testing. For over a dozen years, RBCS has delivered services in consulting, outsourcing, and training for software and hardware testing. Employing the industry ™s most experienced and recognized consultants, RBCS conducts product testing; builds and improves testing groups; and hires testing staff for hundreds of clients worldwide. Ranging from Fortune 20 companies to start-ups, RBCS ™s clients save time and money through improved product development, decreased tech support calls, improved corporate reputation, and more.

As the leader of RBCS, Rex is the most prolific author practicing in the field of software testing today. His popular first book, Managing the Testing Process, has sold over 30,000 copies around the world, including Japanese, Chinese, and Indian releases. His three other books on testing, Critical Testing Processes, Foundations of Software Testing, and Pragmatic Software Testing, have also sold tens of thousands of copies, including Hebrew, Indian, Chinese, Japanese and Russian editions. He has written over twenty-five articles, presented hundreds of papers, workshops, and seminars, and given about thirty keynote speeches at conferences and events around the world. Rex is the President of both the International Software Testing Qualifications Board (ISTQB) and the American Software Testing Qualifications Board (ASTQB).

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0 of 0 people found the following review helpful.
I found ISTQB site's syllabus and Sample Questions / Answers were more useful than this book
By SunshineMN
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Used book as preparation for ISTQB advanced test analyst exam
By Petter Wildhagen
I picked up this book for self study for the ISTQB advanced test analyst exam. I passed the exam. I thought the examples were way too long and cumbersome to work through. The book served the purpose and I passed the exam. Three stars.

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Inevitable book
By Viktor Viraghalmi
Getting more skilled as test analyst this issue is good choice- at a really good price. Test analyst must own it.

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Designing a brochure or web site without an art background? Step away from the computer and read this breezy introduction to visual communications first. Written for non-designers, White Space is Not Your Enemy is a practical graphic design and layout text introducing the concepts and practices necessary for producing effective visual communications across a variety of formats, from print to Web.

This beautifully illustrated, full-color book covers the basics to help you develop your eye and produce attractive work. Topics include:
* The basics of effective design that communicates its intended message
* Pre-design planning
* 13 Layout Sins to avoid
* Basic typography
* Working with color
* Storyboarding for video, Web, and presentions
* Information graphics
* Mini Art School--all the basics in one chapter
* Outputting your work

• Sales Rank: #590502 in Books
• Published on: 2010-03-11
• Original language: English
• Number of items: 1
• Dimensions: .66" h x 7.56" w x 9.26" l, 1.60 pounds
• Binding: Paperback
• 296 pages

Review

"This is a lavishly illustrated and 'well finished' book that will repay careful study...Useful and inspiring." - I-Programmer

Most helpful customer reviews

44 of 44 people found the following review helpful.
The Best Graphic Design Book I've Ever Seen
By Bryan Newman
About three quarters of the way through this book I looked at my wife and said "You know the only difference between this book and the graphic arts classes I took in college?" She of course answered "What? you managed to finish the book?" (Yeah, that's the support I get, I did get a degree in another field but that is a different story.) The right answer was that in college we spent hours doing project after project, then spending hours doing peer reviews, which were invaluable. But everything else from several years worth of graphic arts classes could be distilled out and put into this book. Literally this book is a bachelors degree's worth of information in a book, minus the years of hands on experience.

Now this is not to say that you can replace graphic arts degree with just this book. But this book will give you a great overview of Graphic Design and I can see it being a great help to a beginning web designer or newsletter publisher.

This book has very high quality, both in construction and design. The paper is thick and glossy and the layout is wonderful. I have never seen such a great collection of inspiring design examples. Page after page is visually arresting, and the points and ideas are beautifully illustrated. The writing is great, clear and engaging.

I highly recommend this to anyone who is looking for a resource to help on design projects or, like me, looking for a refresher. Absolutely the best graphic design text I've seen.

43 of 44 people found the following review helpful.
Excellent Book!
By V. Hutson
This is one of the best books I have found on graphic design. The authors have provided a wealth of information and beautiful examples that guide the reader in the process of designing for print, web, or multimedia. While I do have a background in art--it was not in graphic design so this book has provided me with a lot of valuable information. I also like how the authors have kept the chapters short and to the point. The book contains a total of 16 chapters that cover a wide range of material. Below I have listed the chapters I found the most useful based on my own experience and knowledge--but the book contains a lot of other valuable material that covers brainstorming, the elements & principles of design, color basics,infographics, storyboarding, multimedia components, designing for the web, and printing.

Here are some of the chapters I found the most useful:

1. Chapter 3: I Need to Design this Today. It includes "the works-every-time-layout" that, like the name implies--would work every time. This quick recipe will come in very handy for quick designs.

2. Chapter 4: Layout Sins. It includes "the 13 Amateur Errors," which covers a variety of typical errors made by many of use that do not have a graphic design background.

3. Chapter 6: What is a Grid? This provides a useful way to help organize your design.

4. Chapter 7: Layout. This covers where to put your type & visuals for impact.

5. Chapter 8: Type. Once again since my art background did not include graphic design I have been winging this area for most of my life. The authors provide a great foundation and good recommendations on what to do.

6. Chapter 10: Adding Visual Appeal. This chapter deals with working with photos and illustrations.

In short, the authors have packed a ton of valuable information in the 273 pages of this book. Their examples are beautiful and the whole book is very visually appealing. Excellent book!

40 of 42 people found the following review helpful.
Pretty Good, But Don't Buy If For The Hype
By M. Jensen
First off I should state that this book is a solid and generally informative read. Is it a five star blockbuster and must have for any designer in any field? Not in my opinion.

What's good in this book is the logical flow of information. There are some gold nuggets in the early chapters especially. As someone working in the web design field I can appreciate the realistic viewpoint of the "works every time layout". All of the basics are covered in this book as advertised. Later chapters do have some good information as well, but seem to lose steam.

What's not good in this book is the fact that it loses momentum. Again, it's a good book, I just wanted more. More in depth analysis of why a layout works and why it doesn't. There is some of this in the early chapters and it is done very well, however I really wanted more than is presented. Also some chapters seemed to be going through the motions for me and I found myself skimming them out of annoyance. Lastly, some of the advice presented to web designers is questionable, i.e. designing for 800px by 600px is not a good practice as only a very small percentage of internet users have this monitor size. The advice given to learn to design websites in flash as opposed to HTML is potentially life threatening.

Other than that it is a solid book and I would probably buy it again if I had the chance (I just wouldn't read all of it). Good yes. Five star, "my mind is swelling with knowledge", "lets go forth and design" good... no.
3 stars may be a reaction to all the careless 5 stars out there I admit it, but still I stand by it.

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New York Times Book Review Editor’s Choice

SHORTLISTED FOR THE 2015 FINANCIAL TIMES AND MCKINSEY BUSINESS BOOK OF THE YEAR

A New York Times technology and business reporter charts the dramatic rise of Bitcoin and the fascinating personalities who are striving to create a new global money for the Internet age.

Digital Gold is New York Times reporter Nathaniel Popper’s brilliant and engrossing history of Bitcoin, the landmark digital money and financial technology that has spawned a global social movement.

The notion of a new currency, maintained by the computers of users around the world, has been the butt of many jokes, but that has not stopped it from growing into a technology worth billions of dollars, supported by the hordes of followers who have come to view it as the most important new idea since the creation of the Internet. Believers from Beijing to Buenos Aires see the potential for a financial system free from banks and governments. More than just a tech industry fad, Bitcoin has threatened to decentralize some of society’s most basic institutions.

An unusual tale of group invention, Digital Gold charts the rise of the Bitcoin technology through the eyes of the movement’s colorful central characters, including an Argentinian millionaire, a Chinese entrepreneur, Tyler and Cameron Winklevoss, and Bitcoin’s elusive creator, Satoshi Nakamoto. Already, Bitcoin has led to untold riches for some, and prison terms for others.

• Sales Rank: #6663980 in Books
• Published on: 2015-05-19
• Original language: English
• Number of items: 1
• Dimensions: 9.45" h x 1.46" w x 6.38" l, 1.95 pounds
• Binding: Hardcover

Review
“An amazing story. Bitcoin is about to transform both finance and how we use the internet, and this fascinating book chronicles its unlikely genesis. Popper has produced a riveting tale filled with colorful innovators that is crucial reading for anyone who wants to understand the future.” (Walter Isaacson, author of The Innovators)

“Bitcoin may be a product of computer science, but it is a very human story. This highly entertaining history reminds us yet again that truth can be stranger than fiction and can be peopled with even more unusual and compelling characters.” (Larry Summers, former Secretary of the Treasury)

“So, yes, it’s a totally awesome book” (Justin Fox, Bloomberg)

“This excellent work is the book on Bitcoin you’ve been waiting for” (Tyler Cowen, Marginal Revolution)

“An elegant, thrilling tour-de-force. . . . Nathaniel Popper gives us a front-row seat on the origins of Bitcoin and its captivating cast of characters. The fast-paced action never stops.” (William D. Cohan, author of House of Cards)

“Finally, the book so many of us have been waiting for: A riveting and smart account of the strange history of Bitcoin. You’ll start knowing nothing about Bitcoin and finish with deep knowledge, but you won’t realize you’re learning along the way -- you’ll just think it’s a lot of fun.” (Adam Davidson, co-founder of NPR's Planet Money)

“An engrossing introduction to one of the most transformative innovations in finance of the last few decades. Digital Gold paints a vivid portrait of the economics and technology of Bitcoin as well as the people behind it.” (Susan Athey, The Economics of Technology Professor, Stanford Graduate School of Business and Winner of the John Bates Clark Medal in Economics)

“The most compelling and in-depth investigation into the world of Bitcoin and digital currency. Nathaniel Popper charts Bitcoin’s fascinating transformation from fringe oddity to a truly global currency. If you want to understand the future of money, read this book.” (Joshua Davis, author of Spare Parts)

“Nathaniel Popper’s new book, Digital Gold, is as close as you can get to being the definitive account of the history of Bitcoin.” (Felix Salmon, Fusion)

“An engrossing look at a system creatively designed to bring money into the 21st century.” (Library Journal)

“Necessary reading” (Bethany McLean, New York Times Book Review)

“Digital Gold is as strong a narrative achievement as a reporting one” (Chris Wilson, Bookforum)

“A vivid guide to the characters who met online and built bitcoin” (John Gapper, Financial Times)

“It’s a tale told quickly and well” (John Biggs, TechCrunch)

“An impressive accomplishment” (Tim Fernholz, Quartz)

“Bitcoin may be inherently speculative, but Digital Gold is a sound investment” (Edward Chancellor, Reuters)

“A family saga... structured like a tech thriller” (John Naughton, The Guardian)

From the Back Cover

SHORTLISTED FOR THE 2015�FINANCIAL TIMES�AND MCKINSEY BUSINESS BOOK OF THE YEAR

Bitcoin, the landmark digital money and financial technology, has spawned a global social movement with utopian ambitions. The notion of a new currency, maintained by the computers of users around the world, has been the butt of many jokes, but that has not stopped it from growing into a technology worth billions of dollars, supported by the hordes of followers who have come to view it as the most important new idea since the creation of the Internet.

Believers from Beijing to Buenos Aires see the potential for a financial system free from banks and governments, and a new global currency for the digital age. An unusual tale of group invention, Digital Gold tells the story of the colorful characters who have built Bitcoin, including a Finnish college student; an Argentinian millionaire; a Chinese entrepreneur; Tyler and Cameron Winklevoss; Bitcoin’s elusive creator, Satoshi Nakamoto; and the founder of the Silk Road online drug market, Ross Ulbricht.

With Digital Gold, New York Times reporter Nathaniel Popper offers a brilliant and engrossing account of this new technology. At each step of the way, Bitcoin has provided one of the most fascinating tests of how money works, who benefits from it, and what it might look like in the future.

�

About the Author

Nathaniel Popper is a reporter at The New York Times. Before joining The Times, he worked at the Los Angeles Times and the Forward. Nathaniel grew up in Pittsburgh and is a graduate of Harvard College. He lives in Brooklyn with his family.

Most helpful customer reviews

35 of 35 people found the following review helpful.
Excellent journalism about bitcoin subculture
By Cemil Sinasi Turun
This book is standing out among other bitcoin books recently published in one important difference: This one is the result of genuine journalism. The writer is not here for attracting the techie crowd who are interested in the fortunes of mining bitcoins every 10 minutes or so. But he does a very good job of digging all the key people (arguably even the main character. Mr Satoshi himself) and putting events in a time-line starting from day one, from early 2009.

Before this book, I read three other bitcoin/blockchain books, watched the documentary (The Rise and Rise of Bitcoin) and read lots of web site articles and blogs. I heard lots of things about the main characters, Satoshi, Gavin, Hal, Ross, Erik, Wences, Winkelvii, Charlie etc. but after Popper's book, all of them are now linked in an organized story line and they came alive in my mind. In a way this book reads like fiction, almost like the script of an HBO mini series. But all of the events are real and the characters are actual living human beings, sometimes with sad endings.

I wonder if the FBI had ever used description of some events in this book as evidence? Or just the opposite, did Popper use legal documents or police reports. How on the earth did he find out all the details of the life of the founder of Silk Road? (Like the thoughts of his former girl firends) Or details about the "super secret" meeting of Allen & Co? Wow! I am shocked, this is journalism at its best, applied to a favourite but difficult to understand contemporary subject.

Bottom line: The book is an example of very fine writing and detailed reporting of the bitcoin subculture. Not a book to learn how to mine bitcoins or where to buy them.

9 of 9 people found the following review helpful.
A fascinating story, well told
By Mal Warwick
If you’ve ever thought much about money, you may have wondered what gives it its value, especially if you’re aware that Richard Nixon took the dollar off the Gold Standard more than forty years ago. And if you’re at all involved in the world of finance and investment, you know perfectly well that very little money is tangible in any way: it’s almost all electrons, whizzing around the Internet at unspeakable speeds — and the ways in which we store and transfer money (bank accounts, credit and debit cards, checks, cash) are all notoriously vulnerable to loss, theft, and misappropriation. Wouldn’t it stand to reason in this age of the Internet that there should be a better, faster, more secure, and more reliable way to transact business?

That’s the thinking that has led many venturesome individuals to create alternative currencies. Traditionally — and unsurprisingly — most of these alternative currencies have been paper-based. (Yes, there are dozens of them.) In recent times, though, especially since the advent of the Internet, innovative thinkers have been programming computers to create entirely new forms of money that are completely divorced from material reality. After all, there are just three fundamental functions that money must perform: “providing a medium of exchange, a unit for measuring the cost of goods, and an asset where value can be stored.” And none of these requires that money must be something you can hold in your hands.

Enter Bitcoin, the best-known of a long line of software-based alternative currencies. Introduced in 2009 by someone using the name Satoshi Nakamoto (probably a pseudonym), Bitcoin has attracted more media attention than all the other alternative approaches combined. The early adopters of Bitcoins were self-styled libertarians who saw the new currency as a way to free society from the grip of government everywhere. However, Bitcoins didn’t rise to the attention of many others until one early adopter — an anarchist, really, despite what he might have called himself — set up a website for drug dealers and arms traffickers called Silk Road. The enormous traffic in Bitcoins created by Silk Road raised the level of activity manyfold and helped Bitcoin gain wider acceptance.

Later, more mainstream investors and entrepreneurs became involved in the Bitcoin phenomenon, and government agencies inevitably took notice. “The unmistakable irony of these wild days,” writes Nathaniel Popper in Digital Gold, “was that a technology that had been designed, in no small part, to circumvent government power was now becoming largely driven by and dependent on the attitudes of government officials.” Not just in the United States, either. The Chinese government cast an even more jaundiced eye on Bitcoins than the U.S. government.

As the word about Bitcoin spread through the financial marketplace, word leaked out that JPMorgan “began secretly working with the other major banks in the country . . . on a bold experimental effort to create [a system based on the technology behind Bitcoin] that would be jointly run by the computers of the largest banks and serve as the backbone for a new, instant payment system that might replace Visa, MasterCard, and wire transfers.” In other words, what began as a libertarian and anarchist effort to seize power from the hands of the Federal Reserve Bank, Wall Street, and the other arbiters of our financial lives might end up granting them even more power!

“[T]he system was set up so that, like gold,” Popper explains, “Bitcoins would always be scarce — only 21 million of them would ever be released — and hard to counterfeit. . . With a hard cap on the number of Bitcoins, users could reasonably believe that Bitcoins would become harder to get over time and thus would go up in value.” In fact, though Bitcoins were worthless when first created, the going price at this writing is now $235, having topped out last year at nearly $1,200. The price of Bitcoins is volatile, to say the least.

Just in case you’re thinking of taking a flyer and filling your piggy bank with Bitcoins, you might ponder its vulnerability. “Bitcoin itself is always one big hack away from total failure,” as Popper writes.On several occasions, hackers have raised questions about the security of the currency: the holes they uncovered have been plugged, but it’s anyone’s guess whether there’s more to be discovered.

Digital Gold represents a thorough job of research. Its picture of the many strange characters who have played seminal roles in the development of Bitcoin is colorful — worth reading for its entertainment value alone. If you’re interested in finance and money, you’ll enjoy this book.

7 of 7 people found the following review helpful.
Don’t miss the train.
By G. Heyworth
If the Internet had been invented before the discovery of GOLD, the Aztecs would have etched Block Chains on their monuments. You’ll have to read this book to get the joke…however lame.
I am a 30-year+ veteran of retail financial services. No, not a Quant who devises algorithms; I deal with Moms ‘n’ Pops and deliver understandable solutions.
So, what’s with this Bitcoin thing? I needed to know what was going on. With the likes of Sir Richard Branson and other highly sophisticated and moneyed proponents of Bitcoin, I am reminded of the early stages of the Internet when a client commented to me, ‘if I meet someone, professionally, who concedes that he is not “online” then I fairly dismiss him. (I, of course, was very “online”.)
I’ve always maintained that ‘if humans invented it, then humans should be able to understand it’.
This book not only explains Bitcoin, this book is an historical compendium of Bitcoin’s embryonic journey to date. I had been reading, collaterally, the 2-part insertion in WIRED magazine about Silk Road, the internet drug site using Bitcoins to trade…wow, did I get confused as to who did what to whom! Popper, (Digital Gold Author) really did a yeoman’s job of articulating the timeline, whys, and the wherefores of the Bitcoin market.
To convince me of the global demand of a digital commodity (an important distinction from “currency”) I only had to read about the Argentinian entrepreneur, Wences, who recounts his days as a boy at the grocery store with his mother. Carrying bags of currency into the store, they would fill shopping carts and if any cash was left over, they would go back to the shelves to spend it all. The point made was that if the cash stayed in a closet for a week, items on the grocery shelf would have been priced higher due to rampant inflation in Argentina.
Another epiphany for me was the hypothetical example of an airliner crash survivor in the Andes Mountains. The aircraft’s cargo hold has split open to reveal gold bullion and bags of currency. Which is more valuable? The currency, because you can burn it for warmth.
Ensconced in the comfort and economic stability of the dollar-denominated United States, we Americans are hard pressed to imagine the horrific political and financial instabilities around the globe. Bitcoin, as a global commodity has the potential to be a godsend to all global trade, not just in the disparate economies that are so horribly dysfunctional.
The train is at the station. By reading this book about Bitcoin, I feel confident of my not missing it.

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